Sunday, 28 June 2015

Thursday 18th June


Before our workshop we had about an hour of the lesson to start putting our work together for the performance for Little People’s day. We developed our sound and movement machine to create a dream machine which would be put into a section of our performance.

The following stages enabled us to clearly understand how important it is for the positioning of each of us in order to make this dream machine look together as one. The positioning was one of the things that we did face some problems with when creating the dream machine. As most of these short physical movements of the dreams were actions that varied from picking apples from trees to using super powers, clashing did occur many times. Some of us ended up interrupting other people’s physical movements as we were also in quite a tight space. By taking these problems into account, we were able to thoroughly analyse the spacing of the movements before joining the dream machine and overcame this problem by either tweaking the direction of our movement, or by changing the positioning of our movement.

What were we able to take from the Frantic Assembly production?

After our first hour, we then were privileged enough to participate in a workshop led by the Frantic Assembly.

Exercises we participated in...

·Testing awareness- all standing in a wide circle while one person made eye contact and walked towards the other person until they noticed and then continued the cycle by picking another member.

·Testing Timing- Creating a path in which you follow a partner around a circuit making sure that you are travelling at the same speed and motion

·Awareness of energies – Choosing a partner as one of the two keep their eyes closed and place their hands on the other persons hand while the person who had their eyes open, led them around the room with just the pressure on the hands leading.

·Start & Stop – with the same partner creating a cycle of ten different movements including lifts to make your partner start (running, walking twisting etc.) and then finding a way of stopping them

· Testing timing – The whole class got into a grid shaped figure and jumped to the beat of the music and then turned at certain moments while the next line followed. (certain counts included lifting arms, body movements within the jumps)

The Frantic Assembly workshop gave us an opportunity to find more ways of incorporating physical theatre into our final pieces, as a majority of our performance is based around physical theatre.

By adding emotions to the “start and stop” exercise it gives us an opportunity to link this into our  dreams as a whole group at the same time.

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